|detail of grottesca ornament, East Corridor, Uffizi|
I have had this recurring dream in the past few years, that I would encounter Rick Steves and his team in the East Corridor of the Uffizi Galleries, and that I would run over to to them, shove Rick and his fanny pack well out of the way with great conviction, then the grab the camera and point it at the ceiling. Yes the Uffizi is crammed with fantastic Italian art, but if you don't look up once in a while, you are missing something truly special.
|East Corridor, Uffizi Galleries|
Last year, I spent three months in Florence, and as a card-carrying member of the Association of Amici degli Uffizi, which has helped fund the restoration of this and other areas of the museum, I made numerous trips to study my favorite quirky ceilings, and it is still one of the first places I go whenever I return there. Photography is allowed in this famous museum (as of May 31, 2014) and so I am thrilled to be able to share a sampling of these images from my most recent visit.
The East Corridor ceilings were frescoed in 1580-81 by Alessandro Allori and his team of decorative painters, in a high Mannerist spin on the popular grottesche style of ornamentation. Each ceiling section features a different theme and unique color scheme, as well as a wealth of ornament and figural elements ranging from the charming to the bizarre. Too easily dismissed as silly decoration, a careful look at any of the details reveals a spirit of discovery, and an almost frantic catalogue of the knowledge and concerns of the times.
|typical layout of each of these Uffizi ceilings: grottesche arranged symmetrically around a center element.|
The ceilings are painted with intense and beautiful colors on white plaster, and remain light and airy despite the busy compositions, all of which follow a similar arrangement: an X that connects each corner to a central element, while other designs are arranged in pairs symmetrically on either side. (These ceiling sections are shallow coves, the designs would work just as well on a flat ceiling.) Mythological creatures, allegorical and humorous figures and animals populate a framework of garlands, borders, fans, piers, and cartouches with landscapes or narrative scenes. Some themes are serious or religious, but the overall effect is that there is a huge party going on overhead. Like a giant thought bubble, brimming with ideas.
|detail of a one of the grottesca ceilings in the Uffizi, with Manneristic figures and colors|
|symmetry balances with cacophony on the Uffizi ceiling|
|I am desperately in love with the gamboge yellow pigment used in this painting.|
Florence can be exceedingly crowded especially with busloads of tourists who come in just for the day. Yes, you may make a reservation to get in but then you have to share the museum with a million others all shoving each other to get a glimpse of the Birth of Venus. Let it be known those people follow their tour guides out and get back on the bus by 5 PM. If you
Take note of special hours and free admissions times. The Uffizi has added special hours several days a week to help reduce crowding. The Uffizi Gallery, the Accademia Gallery and the National Museum of the Bargello will remain open late some evenings in the summer months.
Check the Uffizi website for hours and special events.
Take this awesome virtual tour of the Uffizi Galleries via Google
|Check out the fantastic virtual tour of the Uffizi via Google Earth|
Amici degli Uffizi
If you plan to be in the area more than just a few days, consider joining the Friends of the Uffizi. This membership gives you for an entire year, unlimited front of the line admission to the Uffizi as well as all the other State museums in Florence including the Pitti Palace and the Bargello, while supporting restoration efforts. With a pass like this you can go by for a stroll through the Uffizi every day (except Monday) on your way to your favorite enoteca.
Grotesque is French, and the spelling most often used in English
In Italian it is called la Grottesca, or le Grottesche (plural)
all photos in this post by Lynne Rutter, May, 2015
Great post- can't wait to get back there and add to my collection! So nice not to have to duck the guards and especially the hyper-annoying tour guides!ReplyDelete
We should team up! It's an enormous amount of work to shoot all of it as there are SO many great details! I barely got through the one corridor before my neck started objecting. Fortunately it was after 5 and the place was nearly deserted!Delete
Alas, when I visited the Uffizi photography was not permitted, and I got a scolding for trying to take a picture of sculpture. I guess another trip is in order.ReplyDelete
Yes the museums have all finally realized that their employees have far better things to do than police all the cell phones and snapshots that people might sneak. And all of this stuff is on line already anyway. I still think many people trade a real nice experience with a work of art for a quick snapshot, but at least the selfies sticks are prohibited, thank goodness.Delete
I was just in the Museo at St. Nilo Abbey in Grottaferrata, which is not open very often. Much to my delight and surprise, there is a ceiling just like the ceiling at the Uffizi! The artist is listed ats Francesco da Siena, whom Vasari said was Baldassarre Peruzzi's student. http://www.polomusealelazio.beniculturali.it/index.php?it/166/news/75/riapertura-del-museo-dellabbazia-greca-di-san-nilo-a-grottaferrataReplyDelete
Wow! thanks for that link, Jo! I shall have to try to visit this place!Delete
I loved this article and look forward to reading the others linked at the bottom. Thank you so much. I have always admired the creativity in these imaginative "decorations."ReplyDelete
We had the chance to visit Uffizi today. Because of Covid-19 we had the chance to be by ourselves in many of the rooms. I was able to examine the grotesque ceiling without anyone bumping into me. What a chance we have and yes we know that people in the tourism industry do suffer right now.ReplyDelete
It is some really nice photos of the grotesque. I am writing a book for teachers in primary schools in Denmark, that contains creative exercises with inspiration from art history. The aim is to give teachers inspiration on how to use art history as inspiration for their teaching. I would really like to use one of your photos in the book. Would that be possible?
Greetings fra Mette Tingholm
yes, I'd be happy to share a photo for this purpose. Please email me ornamentalist - at- gmail and tell me which image you wantDelete
I agree--I have visited several times, and at each visit, I long to lie on my back and look up! In an effort to save my neck, and to truly absorb the grotesca wonders! So many details, so little time!ReplyDelete