Saturday

Exterior Color: Aesthetic Inspiration

Stick-Italianate Victorian in San Francisco her new custom paint scheme

I am excited to show you this recently completed color project - a Victorian in San Francisco a stylish new artistic dress.

Eddy St. Victorian, before painting

This 1880s Stick-Italianate Victorian house in the Western Addition  was long overdue for a paint job. Pale and peeling, it was nearly invisible and set back from the street behind an added garage and a tangle of overgrown plants.  The owner asked me to help make the house show up better, and give his home an artistic look using some of his favorite colors.

I created a scheme using a muted split-complimentary palette of mauve, green-grey, ochre, and rose, with hints of purple and peridot, and of course, some well-placed gold leaf.  This isn't necessarily an historic color scheme, but such colors were popular during the Aesthetic Movement, along with those other "indescribable colors" that I have been studying lately, and which provided inspiration for this design.
Eddy St. Victorian with new, Aesthetic colors
The garage and foundation walls were painted a warm grey, very simple and plain so as not to compete with the house. The roof of the garage will become a front garden.

Entry doors painted a deep glossy phthalo green-black

Originally I suggested an intense peacock teal for the front doors, picking up some of the color in the stained glass insets, but we decided to use a deep phthalo green/black, for a more formal look. Gilt elements on the glossy doors make for a stunning entrance.







*****

Color Consulting by Lynne Rutter 415-282-8820
  

Paints used on this house are by Benjamin Moore and C2 Color.



all images in this post by Lynne Rutter  - click on images to view larger







Flow Blue


A break in the rain, and a color lesson from my garden.  Cymbidium blossoms in a flow blue sugar bowl.






Sunday

Sans, Souci.

Sanssouci palace in the winter sun
One year ago I was visiting friends in Berlin and we went out to Potsdam, to see the famous Frederician Rococo palace of Sanssouci (written on its façade as Sans, Souci. I have no idea why.) It was an exceptionally clear and sunny day and the yellow lime-washed stucco was particularly vibrant.  "This is the color of joy" I told my friends. I always associate that bright yellow with a happiness beyond reason.

Today I am working on a color scheme for a building with curséd white vinyl windows,  and have been  looking for examples of white-windowed buildings as reference, and so I am studying at this image I shot in Potsdam: warm grey limestone, pure yellow ochre pigment, black soot, verdigris copper.

One year ago today I heard the news that Japan had been stuck by a terrible earthquake and an even more devastating tsunami.   So today also I am also thinking of my friends in Japan and wishing them no worries.


photo by Lynne Rutter:  Potsdam, Germany,  March 2011
click on image to view larger





Tuesday

Exterior Color: Waking up the Neighborhood

Apartment building with color design by Lynne Rutter
Here is a color project from last year, a large building in San Francisco with condominiums and an office on the ground floor. Inside are lovely flats, all quite spacious and nicely finished.  The owners called me wanting the exterior of their building to look more like a nice residence, full of stylish people, like it is on the inside.
Before: Apartment block D
Before: the front door of despair.

Now look at the "before" picture. It looked more like a correctional facility than a nice place to live. Grey stucco and white vinyl windows and no personality whatsoever.  Could  you imagine coming home to this every day? 
The entrances were particularly  sad. You could not  see the addresses, the garage doors were unfinished metal and starting to rust. It was so indifferent as to be downright depressing.  
Because of the scale of the work to be done, the budget was of course an issue, so a lot of things I might suggest to embellish or personalize this facade we could not do here.   So, it all came down to color.  Talk about personal--- color can be so subjective, and people react emotionally to it.  Can you please everyone?  Of course not.  But if you go out of your way to avoid color you can end up with a desolate, if inoffensive, look.  When faced with a choice between "not for everyone"  and "not for anyone"   I choose color!   Can just color make this building look more like home?  Yes!

Entrance to posh homes


White vinyl windows are a curse for a colorist like me.  I think they really cheapen the look of a building and make it really hard to use deep or committed colors. They seem to be a standard in a lot of new construction so I have learned to deal with them.  In this case, with white as a mandatory part of the palette, I countered it by including some black, used on anything made of metal- railings, beams, etc. 
There is no question in my mind that the Homeowners Association putting work into the exterior of the building would not only improve the lives of the residents but improve the value of the building and the potential sale price of every condo inside it.

I was delighted to work with the HOA of this building because  everyone was so willing to try what looked like such a daring color. This took commitment, trust, and teamwork to accomplish.   After seeing the palette sampled on the building, one homeowner remarked "well this ought to wake up the neighborhood!"    The deep curry gold really glows in the sun and is full of life at night.  Accents of green/grey, sage, and mahogany brown call out the entrances which now have a welcoming quality to them. 
 



Color Consulting by Lynne Rutter 415-282-8820
Paint colors by Sherwin-Williams
Painting by Winning Colors

all photos in this post by Lynne Rutter
click on images to view larger



The Colorful Frescoes of Rila Monastary

One beautiful and very hot day in June, we visited Rila Monastery, in the mountains 117km south of Sofia, Bulgaria.  And I had my camera with me.

ceiling detail with the baptism of Christ,  Rila Monestary
Rila Monastery was founded in the 10th century  by the hermit St Ivan of Rila, who lived in a tiny cave in the hills above this site. The monastery was built by his students, and over centuries grew to become the largest and most important center for religious and cultural activities in the country.  During the Ottoman Empire rule of Bulgaria 1396-1878, the monastery took on the role of bulwark of the Bulgarian cultural identity in the face of foreign occupation, and a destination for pilgrimages from all over the Balkan region.

The interior courtyard of Rila Monastery and the Cathedral Рождество Богородично
We hired a driver for the day because I heard heard the bus trips don't allow much time to visit before you must to return to Sofia.  When we arrived in Rila our driver offered to come back in one hour to pick us up and take us to another place.   I showed him my camera and shook my head. Just leave me here. Come back tomorrow maybe.  Erling laughed, and offered to call the driver sometime before dark. My Ornamentalist Enabler.

painted doorway in the monastery

In the 18th and 19th centuries, Bulgarian culture and identity enjoyed a renaissance during the National Revival.  During this period Rila Monastery was destroyed by a fire, and rebuilt as we see it today, using a design typical of the Revival style of architecture and decoration.

Surrounding the church at the center of the courtyard, is the pleasant, four-story high residence of the monastery, decorated with simple painted designs in black and white and red, in geometric and floral motifs.
  These areas reminded me of the old mission churches in California.

Erling studying a panel on the Sin of False Confession
The domed porch surrounding the church is painted with intensely colorful frescoes, which have been recently cleaned and restored and really glow. I could almost hear and feel the color.   Especially that blue.  Every surface is covered with scenes of stories from the bible painted in pure, vivid hues.

Christ depicted in one of the domes of the porch
Completed in 1846,  the frescoes are the work of the famous Bulgarian muralist Zahari Zograf and his brother, the icon artist Dimitar Zograf, as well as many master artists from the schools of  Bansko, Samokov and Razlog.

In the spaces between domes are illustrations of stories from the Bible
Orthodox art observes a rigid standard of stylistic representation of sacred figures.  In between these iconic scenes however, are moments of decorative brilliance representative of the Bulgarian revival of folk art.

Archangels: detail of a fresco in the Rila porch
The palette is pigment-based and uses some lovely combinations of gold and green, blue and red, rose and brown.  In some places one of the red pigments has turned black, possibly due to exposure, or from a chemical reaction to the fumes from gas lamps that had been in use in the past.

ornamental elements support the architecture
I spent well over two hours studying the porch frescoes before taking a break and enjoying some Bulgarian donuts and a stroll around the rest  of the grounds, visiting the museum and touring the enormous monastery kitchens.  The inside of the cathedral was under restoration but still breathtaking, with an iconostasis [by Athanasios Taladuro of Thessalonica] a spectacular, intricately carved and gilt wall of icons.

Archangel Michael  / Архангел Михаил
Erling and I returned to the porch where I got out my 105mm lens and had another long look the frescoes and discussed their meaning.  Later we reconnected with our friendly driver,  who took us up the mountain to the 1/2 mile trail that leads through the most beautiful woods to the small cave where St Ivan spent his ascetic life.

A priest at Rila Monastery

The Monastery of Saint Ivan of Rila is UNESCO World Heritage site which receives nearly nine hundred thousand visitors each year. It is still an active  monastery and a pilgrimage site.  
There are volunteers inside the church who will give you a green cloak to wear over your head and shoulders if you are not modestly attired. I always travel with my own scarf  in case I need to cover my head in  the church, mosque, or temple I am visiting.

One of the priests was keeping a dignified watch over the area to make sure the younger tourists  behaved.  I showed him my camera monitor after taking this picture and asked his permission to use this photo.


More from Bulgaria:   Opus Lisatum
Erling Wold:  "Certitude and Joy"   mp3
performed by the Sofia Philharmonic, June 2, 2011

****
 
In this post I wish to express my profound gratitude to my teacher and mentor, Dr. Otto Mower, with whom I traveled to Bulgaria in 1980 on my first visit to Europe, as part of a study tour of art history.    That I became  a decorative artist was in large part due to his influence and encouragement.  Dr. Mower passed away on February 7, 2012.  

****




all images in this post by Lynne Rutter, Bulgaria June 2011 
click on images to view larger