This week we are in Vienna!
Yesterday Erling Wold and I went to Albertina, notable for its print collection and works on paper, including those by Albrecht Dürer.
Years ago Erling wrote some music for a Jon Jost film called Albrechts Flügel. Though the film was never finished, the piano piece, played here by Marja Mutru, is among my favorite of Erling's compositions.
mp3 at erlingwold.com
.
Monday
Singerie Screen in 7x7
A Delicate Matter - Care for your bare necessities with these pretty picks for your laundry room. by Leilani Labong
This large screen made its debut my "Vintage Laundry" in the 2007 San Francisco Decorator Showcase.
Each panel is 90" high by 26" wide and 1.75" thick - sturdy enough to serve as a room divider, or to create a dressing area from a larger room.

One side of the screen is painted in a blue/gray neoclassical motif with singerie scenes in which the monkeys are all playing with clothing, sewing, etc.
Contact Lynne Rutter for details about purchasing this screen or commissioning a custom piece.
My thanks to David Papas Photographer for these photos.
This large screen made its debut my "Vintage Laundry" in the 2007 San Francisco Decorator Showcase.
Each panel is 90" high by 26" wide and 1.75" thick - sturdy enough to serve as a room divider, or to create a dressing area from a larger room.
One side of the screen is painted in a blue/gray neoclassical motif with singerie scenes in which the monkeys are all playing with clothing, sewing, etc.
Contact Lynne Rutter for details about purchasing this screen or commissioning a custom piece.
My thanks to David Papas Photographer for these photos.
Marin landscape mural finished
landscape mural painted by Lynne Rutter |
Drop by and see it at 1031 Valencia Street, San Francisco. It looks pretty cool at night as well---
Marin landscape mural painted by Lynne Rutter |
.
Saturday
Marin Landscape mural in progress
gouache maquette of mural: a valley view in Marin, with Mt. Tamalpais in the background... |
It been a challenging project to deal with the space, the changing light from the various tinted windows, and the rough stucco texture on the wall, the heat of the afternoon sun--
but I got to work in a pleasant space surrounded by plants, with a burbling water feature full of friendly goldfish, wafts of coffee aroma drifting in all day, courtesy of the Ritual Coffee Roasters just across the street.
Before: the space was painted a blue/gray with some clouds up high:
mural wall, before |
I recommended the room be painted with a brighter, sky blue, (Benjamin Moore #1642 "Cape Blue") and to paint the overhang to make it less obtrusive. In my maquette, I scaled the painting to add depth to the space and keep the majority of the painting closer to eye level, and let the rest of the room be the "sky". The mural will serve as a backdrop for the landscape design. Just the color change made a huge difference.
color change, step one |
After drawing out the composition using sidewalk chalk I started painting. The surface is really rough, so taking a tip from my friend Jennifer Ewing, I wet the wall using a squirt bottle first. I also used a good deal of acrylic retarder in my paints, so I could blend some areas. In general I am using the texture to my advantage, to do a lot of dry-brushing using large scenic fitches, and keep a soft, atmospheric look.
work in progress... |
This mural will be completed tomorrow...
Sunday
Bayview Victorian gets her just reward
Today the SF Chronicle ran a wonderful piece on the home of my friends Adrian Card and John Tinker. They've spent years rehabbing one of the oldest houses in San Francisco, with respect for its architecture, and its previous owners.
Adrian is also a member of Artistic License, and I've enjoyed collaborating with him in the last year.
Subscribe to:
Posts (Atom)