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| The upper bay and tower of the 1882 Nightingale House, San Francisco Landmark #47 |
The Nightingale House, San Francisco Landmark #47, is named for John Nightingale, who built the house in 1882, as a wedding gift for his
daughter Florence. I have long adored this house, ever since I moved to the
city. I love the scale of it, the eclectic Victorian Gothic-a-rama style
of it.
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| The Nightingale House in 2008 |
The house had seemingly always been white: layers of
post-WWII Navy surplus paint and then some, gave it a sunny cottage-like appearance. Its longtime owner, Jo
Hansen, a San Francisco artist and activist, cared for it with
everything she had for over 40 years. As a young artist living nearby I
met Jo a number of times. It’s still hard to imagine this city without
her.
Since 2010, the new owners and current custodians of the Nightingale House have been carefully
restoring it. But by “carefully” I don’t mean living in a museum. They
have researched its history, repaired its injured areas, and made it
their own.
I have been thrilled to participate in what has truly been a collaboration between me, the owners, and the house itself.
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| Entry and tower after restoration and painting |
We started talking about color before
the heavier aspects of the restoration work had even started.
Envisioning the color was not just the light at the end of the tunnel,
but a step towards solidifying the intent and goals. I asked what they
were looking to say with their color scheme; one said “historic,
important” the other said “gothic, unusual … ” Elvira may have
been mentioned.
Well then, said I, let’s see if we can do both!
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| Rare in San Francisco, a covered entry porch, with outer pocket doors, which we painted with a faux bois finish |
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| The curved balcony had been missing, and was recreated from a vintage photo |
The
color scheme I designed is for the most part monochromatic, with
different shades of warm greens. The eaves are brightened with a
green-gold color, and 23.5 karat gold leaf helps celebrate some very
special details.
Historic homes of this period were often
painted with a medium tone body and darker trim. I have been finding
more and more, that the white trim so prevalent in the 20th century is
not as appealing, especially when urban dirt accumulates on
it. The 19th century style of painting darker trim can give the period
architecture a lot of stability and grace.
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| A favorite detail: Gothic pendant under the bay window |
Many years of work have gone into the restoration of this landmark home. Dozens of
skilled artisans have contributed to its revival along with tireless effort on the part of the owners. A
complicated roof and tower was totally refitted, with copper gutters,
working chimneys, and metal cresting sitting atop like tiara. Window
sashes have been restored or reproduced, lead paint stripped off,
missing ornament and architectural features recreated. During some of the
work evidence of the original paint color was found to be... green.
Sometimes I go a bit out of my way just to pass the corner on which the Nightingale House is perched.
More about the Nightingale House at Hoodline
Color Design by Lynne Rutter
I have never heard that the house was haunted, but I'd be happy to start a rumor...
