In which we learn that the whole is greater than the sum of its details. Cranston and Keenan-designed Queen Anne Victorian circa 1890 ...

The upper bay and tower of the 1882 Nightingale House, San Francisco Landmark #47 The Nightingale House , San Francisco Landmark #47, ...

Glittering Tree toppers at Wendy Addison's studio Theatre of Dreams A cold, clear holiday weekend,  and what better way to enjoy...

Morton St. Queen Anne with a new paint scheme by Lynne Rutter Alameda, California is a lovely small town on its own island, and home t...

This year marks the 30th anniversary of Artistic License , a San Francisco guild of period revival artisans of which I am a proud member. To...

Stick-Italianate Victorian in San Francisco her new custom paint scheme I am excited to show you this recently completed color project...

Amazing Cirque de Noël clown by Wendy Addison The maestro and I took a much needed break and wandered up to Port Costa, to visit the ...

A sports injury clinic in Baghdad, newly finished with bright colored tiles.         photo by Ayman Oghanna for the New York Times "...

The center hall of the Beauregard-Keyes House ; reproduction circa 1860s wallpaper on its walls This week I visited an old (by our standa...

Diamond St.  Victorian, color design by Lynne Rutter   The commisison to design a color scheme for this Victorian cottage in San Francis...